The two have teased at a full collaborative album and, considering the tracks here- along with worthy past collaborations like "Miss Me" and "I'm Goin' In"- it has the potential to be one of those rare dream projects that lives up to its promise.
Meanwhile, the superhero-synth track "Right Above It" would seemingly fit well on an idealized Tha Carter IV with Drake rhyming breathless as Wayne handles the Auto-Hook. On the sweet-soul track "With You", the Pretty Toney-style beat and Drake's croon draw out Wayne at his most human. The two rappers' contrasting qualities- Wayne is coarse and random and hoarse while Drake is smooth and exact and clear- bring out surprising sides of each other.
The finest three songs on I Am Not a Human Being all feature the man who has quickly become Wayne's best-ever counterpart, Drake. The most real-life anxiety shown is on the title Run-D.M.C.-style track, when he admits, "Still get a stomach ache every time I see cops." It's a far cry from his "A Milli" invincibility: "Tell the coppers: 'Hahahaha!'/ You can't get him, you can't stop him." And while Wayne was presumably aware of his impending jail term during the recording of some of these tracks, you'd never know it. When he says, "I been fly so long I fell asleep on the fuckin' plane," or, "So far ahead of them, I feel outdated" in this context, the lines could be taken as a boasts or sighs. But there's a lingering sense that the rapper is not in top gear his flow is often slow and static, his wordplay lively yet less energized than what we're now used to. We get Wayne spouting classic Weezy-isms- explicit sex, cartoonish gunplay, and allusions to the intricacies of the digestive system abound- over at-least-decent original beats, several of which attempt to replicate the space-snap wallop of his biggest hit, "Lollipop". I Am Not a Human Being draws a similarly conflicted response. These appearances are meant to show his resiliency and relevancy but oftentimes come off a little depressing- since he's usually standing in front of an obviously phony and confined backdrop, the videos emphasize his absence more than anything else.
I Am Not a Human Being is the latest in a long line of songs and videos Wayne has appeared on since entering Rikers on March 8 we've seen green-screened versions of him in clips with Eminem, along with his Young Money cohorts Drake and Nicki Minaj. And, since it's a genuine hip-hop record with Wayne rapping most of the time, it helps to put his guitar-torturing, choke-throttling Rebirth incarnation to rest. The record is supposed to act as a reminder of his existence and a precursor to his freedom. So: Even when Wayne ends his eight months of forced containment, will that Wayne really be back?Īs we prepare to find out, we first get I Am Not a Human Being, an album's worth of material recorded before his jail stint and featuring some tracks originally intended for his proper return LP, Tha Carter IV. That night he was funny and dangerous and unpredictable. 40 caliber pistol that would eventually land him in jail, I saw Wayne end a triumphant NYC show at the famed, fancy Beacon Theater by blaring Whitney Houston's "I Will Always Love You" through the speakers.
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But even when he switches from inmate #02616544L to Dwayne Carter, free man, will he return as the world beater who stunned us with mixtapes like Dedication 2 and albums like Tha Carter III or will he continue to explore (um) riskier sonic territory á la Rebirth? And, considering his penchant toward exuberant rhymes and a lifestyle blissfully unaware of the word "no," will we ever see the same Wayne that stomped straight into the camera rapping "I'd rather be pushin' flowers than to be in the pen sharin' showers," in the "A Milli" video? On July 22, 2007, just hours before he would be caught with the. Taylor Center at Rikers Island on November 4. As of this writing, he's due to be released from the Eric M.
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